1. disturber-magazine:

    1. The above ground landscape with people.

    This is a relatively recent development with the major influence of Gursky, being the starting point. You take a high vantage and place people within the frame setting them in a larger urban or even rural landscape.

    2. The bent lamppost.

    You see this a lot in the USA, where they are blessed with many bent lampposts. The scene is urban and generally quite run down. This can be traced back to Stephen Shore amongst others.

    3. The personal diary.

    Nan Goldin gave this genre a major boost with the famous “ Ballad of Sexual Dependency ” project, but there are predecessors with the likes Larry Clarke and Ed van der Elsken.

    4. The Nostalgic gaze.

    Photographers love to shoot a factory, a shop, a club or some institution that is about to close. We, of course, welcome and praise the sense of community that is threatened.

    5. The quirky and visually strong setting.

    In terms of documentary we are much more likely to see a project done on a circus than say, a petrol station. The simple reason is that photographers love shooting situations where there is an inherent visual quirk. So we see plenty of this type of subject such as mental hospitals and animal clinics.

    6. The Street.

    Street photography has evolved in recent years, with many more humourous scenarios now making the edit, and of course the shift to colour. In Britain we also have the great tradition of shooting on the beach, but this has declined in recent years because it is tricky to do this now, without being accused of being paedophile.

    7. The black and white grainy photo.

    Daido Moriyama is, if you like, the Godfather of this school of photography, and he combined the imagery of Andy Warhol and William Klein to arrive at this groundbreaking photographic language. The subject is combination of cityscape and personal.

    8. The New Rich.

    Think Tina Barney and of course all those rich kids who attend Yale who turn their cameras on their own families. Nearly always shot in large format, and often involve taking clothes off too.

    9. I am a poet.

    This is the riskiest school of photography of all as it takes real panache to pull this one off. Many of the images can find their roots in the likes of Bill Eggleston and Rinko Kawauchi.

    10. The modern Typology.

    The Bechers and the Dusseldorf school have had a major impact on our photographic landscape and naturally the success of these students has also had a major impact. Many of the B division Becher students shoot typologies and run down buildings, beach huts, whatever can be found frequently.

    11. The Staged photo.

    With the increasing difficulty of shooting on the street and the desire to control the photo and the people in them, staging has found a new wave of popularity. Gregory Crewdson has given this genre a major boost with his Hollywood style, staged scenarios.

    12. The Formal portrait.

    One of the great traditions in photography and recently revived by the likes of Reneke Dijsktra and Thomas Ruff. Smiling is banned and this genre often needs the structure of repetition. A tripod is also a prerequisite for this method of shooting.

    13. The long landscape.

    Panoramic cameras are the latest fad for shooting landscapes, and a good view of icebergs and, or, fjords are a perfect subject for this treatment.

     
  2. Muskox Hoof on Flickr.

     
  3. Ulukhaktok, NT on Flickr.

     
  4. Ulukhaktok, NT on Flickr.

    Elder in Ulukhaktok.

     
  5. Skinned Fox on Flickr.

    Spent a week in Ulukhaktok, NT with Frozen Eyes Photographic Society.

     
  6. Charlotte, writer / boxer on Flickr.

    Portrait session last night with my friend and talented writer, Charlotte.

     
  7. untitled on Flickr.

     
  8. untitled on Flickr.

     
  9. untitled on Flickr.

     
  10. Brian on Flickr.

    Brian, our wonderful host while we were in Gameti.